Good news, bad news
06/06/08 18:55
Saw an optpmetrist today about the increased and
increasing blurryness in my right eye. The good news
is that I’ve not killed anyone yet. The bad news is
that this defect in vision cannot be corrected by
lenses. The optometrist referred me to a retinal
specialist. This does not bode well... for anything.
Nightmares
16/03/08 10:18
Nightmares again. Well, one big nightmare about a
place mary and I built but no longer own. Once again
I awoke breathing hard, thinking all was lost. So I'm
working with what I have, again: brains and
cleverness. Can I make a new future without loking
back? How healthy a mind does that require?
Imponderables.
The Consortium
02/03/08 03:43
This reminds me of something from my distant past. A
group of investors wanted to give me $100,000 to
promote my work, but the deal included the proviso
that I essentially be chined to my easel, painting
"for them" until I died. We went around and around,
but I could never get them to drop that demand, so in
the end the deal never happened. I have to wonder
what might my life be like now if I had signed on the
dotted line.
At any rate, the folks I'm currently talking with already have a vested interest in my work since each member has at some point acquired at least one painting of mine. Collectively, they have contacts in Hong Kong and other areas and would like to see the value of their works go up significantly in the next year. Their interest is apparently in having me expand my markets into those monied areas where it would receive "the recognition and prices it deserves." Well, maybe. I do know that they are in the process of making some kind of deal with a person or gallery in Hong Kong. Dubai has also been mentioned. Someone is also apparently putting together an auction site ONLY for my works, which might work in cooperation with my own corporate identity, Cirrus Arts Corporation, to make available a sort of commodity market for my paintings, both new and old. I can see some sense in this, because it could help create an honest global marketplace without the expenses and dangers of shipping works to galleries half-way around the world, and it would concentrate the active buying and selling of my work in one location, but for all to see, letting the market place its own value on the pieces. It actually sounds kinda fun, But for the moment, all I can say is that negotiations continue.
At any rate, the folks I'm currently talking with already have a vested interest in my work since each member has at some point acquired at least one painting of mine. Collectively, they have contacts in Hong Kong and other areas and would like to see the value of their works go up significantly in the next year. Their interest is apparently in having me expand my markets into those monied areas where it would receive "the recognition and prices it deserves." Well, maybe. I do know that they are in the process of making some kind of deal with a person or gallery in Hong Kong. Dubai has also been mentioned. Someone is also apparently putting together an auction site ONLY for my works, which might work in cooperation with my own corporate identity, Cirrus Arts Corporation, to make available a sort of commodity market for my paintings, both new and old. I can see some sense in this, because it could help create an honest global marketplace without the expenses and dangers of shipping works to galleries half-way around the world, and it would concentrate the active buying and selling of my work in one location, but for all to see, letting the market place its own value on the pieces. It actually sounds kinda fun, But for the moment, all I can say is that negotiations continue.
Interesting development
11/02/08 03:40
You surely noted that the home page has changed on
this website. This is because I have been in
discussions with a loosely knit group of collectors
who have expressed an interest in furthering my
career and are planning to establish a major presence
in the secondary (or re-sale) market of my work,
which has become quite active of late. They have
first expressed interest in acquiring older paintings
and having me develop an authentication and, if
necessary, escrow service to aid them in this
pursuit. In addition, they have expressed serious
interest in purchasing all my current work that is
not available at galleries, as well as future works I
may produce for a limited time. All I can say at this
time is that discussions will continue until an
agreement, if possible, can be reached. Apparently,
someone has finally recognized that I'm now 60 years
old and that there will eventually be a finite number
of Lee originals available for purchase, and they
want to have a head start in profiting from that
eventuality. It is with this in mind that I am
soliciting older works, especially from estates. I
have been watching the secondary market in my work
for several years and must agree that prices are all
over the board and currently create an impediment to
the furtherance of my career.
As plans for an authentication service become further developed, I will post them on my website.
As plans for an authentication service become further developed, I will post them on my website.